This commitment to wordplay as wisecracks birthed the characters Yankee and the Brave, an imagined buddy comedy action thriller (that may or may not actually come to fruition on the screen), and manifests on the bobbing,

"Love needs fury to fight hate. But after the taxing process of making El-P, for his part, has rarely sounded so animated. The solo work of the two respected rappers garnered them critical acclaim long before they came together to work on Mike’s album R.A.P. Run The Jewels – ‘Run The Jewels 4’ review: a modern protest classic and their best work yet The righteous rap duo take on police brutality and the fear-mongering media.

Run the Jewels are El-P and Killer Mike. More Pitchfork; Pitchfork Music Festival Chicago; Pitchfork Music Festival Paris On their fourth installment, Killer Mike and El-P are back to tune up the ruling class and the racist police state, this time streamlining the process and settling into their most natural rhythm.“You so numb you watch the cops choke out a man like me/Until my voice goes from a shriek to whisper—‘I can’t breathe’/And you sit there in the house on couch and watch it on TV,” Killer Mike raps on “walking in the snow,” his voice urgent. There’s a section on “never look back” where Mike punctuates every one of El-P’s thoughts.

The lyric is about RTJ are still taking it to the streets to fight a tyrannical ruling class and racist policing. Even when serious, it never runs the risk of becoming dour or unbearable, because they feel like they’ll always get the last laugh. He is in a near-constant state of agitation, appearing through plumes of weed smoke to kick up dust, like some whistleblowing anti-hero in a dystopian YA novel. This category is intended to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance, and electronic music.

“You see a future where Run the Jewels ain’t the shit/Cancel my Hitler-killing trip/Turn the time machine back around a century,” he raps on “the ground below.” It’s that kind of highly self-referential, bluntly political, fun-loving pulp fiction mash-up bar that keeps the project so viable.There are fewer back-and-forth exchanges than on previous albums and the verses don’t dovetail as much but the two still move well in tandem.
Daily reviews of every important album in music. Clearly none of this is lost on the pair of indie, old head, no-fucks-giving, chain-snatching, self-professed menaces to sobriety behind this project. They escape. Although eerily prescient, RTJ4 is less prophetic and more a case of deja vu, addressing the endemic issues of a broken country that sadly continue.

Not El-P and Killer Mike: On RTJ4, the duo deliver their agit-rap gospel with the spry fire of a band making its debut.

They shoot back. They cover each other, their writing well-sequenced, their rapping finely staged. For Pitchfork, Sheldon Pearce wrote that " RTJ4 centers protest music less explicitly than RTJ3 did, but the moments when the album is most pronouncedly in active revolt are still when it feels most essential".

The P argues 'RTJ40 is closest to who Killer Mike and El-P are - "weary but unbroken, wary but not hopeless, eager to knuckle up".
Their boisterous new album, 'RTJ4', makes time for trash-talking and chin-checking amid insurrection" - Pitchfork highly suggests Run the Jewels' new album (tagged it Best new music, grade 8.3).

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