Under 17 requires accompanying parent or adult guardian.This image released by IFC Films shows Sheila Vand in a scene from "The Rental."

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It looks real good on paper, and don’t worry about the creepy-seeming guy who oversees the place. Do you plan to see Get our latest storiesin the feed of your favorite networksWe want to hear from you! But it earns our attention because, unlike many horror films, Franco has taken the time to make his characters somewhat interesting, with nice casting (especially the reliably excellent Dan Stevens), a subplot about infidelity, and another about racial profiling.We begin with an attractive millennial couple, Charlie (Stevens) and Mina (Sheila Vand), gazing at the online profile of a cliffside house somewhere up the coast from the Bay Area (the film was shot in foggy southern Oregon). (Allyson Riggs/IFC Films via AP)Connect with the definitive source for global and local news And on top of everything else Josh’s dog Reggie (Chunk) has disappeared. Wait! But Franco has made a briskly entertaining debut feature, a nice way to spend an escapist summer evening.

Song We Just Disagree; Artist Dave Mason; Licensed to YouTube by SME; LatinAutor - SonyATV, LatinAutor, SOLAR Music Rights Management, EMI Music Publishing, CMRRA, and 3 Music Rights Societies But where the earlier film sputtered just when we expected a good payoff for all that tension, “The Rental” knows how to stick its landing. The retired Army ranger and former West Point instructor has been teaching his classes for more than two decades. Send us a tip using our annonymous form.Copyright © 2020 Penske Business Media, LLC. More like floor-to-ceiling murder and mayhem. We're sorry but jw-app doesn't work properly without JavaScript enabled. Turns out Charlie and Mina are business partners, not lovers.

Not from your Airbnb, though.“The Rental,” an IFC Films release, has been rated R by the Motion Picture Association of America “for violence, language throughout, drug use and some sexuality. If such horror films can be split into three parts — dreamy setup, scary stuff happens, all-hell-breaks loose ending — what makes “The Rental” a more satisfying experience is that the ending actually IS scary and suspenseful, even surprising.Not that Franco’s story, written with Joe Swanberg, breaks any ground; the surprise is mild, rather than revelatory (“Get Out,” it is not.) His name is Taylor (Toby Huss), and he is really nothing more than a red herring as he explains he is just a facilitator for his brother, who actually owns the house situated in a nicely secluded and picaresque environment.

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